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New Year 2008

No more hill-walking photos this time round, so we're back to onstage action shots. This was taken at Sheffield Folk Festival in October by Pete Simmonds, who posts hundreds of live folk music videos to Youtube under the user name SIMMO7TS and was kind enough to post the footage of my performances you'll find linked elsewhere on these pages. The stage lighting at this gig was spectacularly lurid, and I especially like the “golden keyboard” effect on my melodeon. I spent most of the afternoon at Sheffield in the Kelham Island Tavern, a 'proper pub' hosting a lively English music session, where fine players like Nick and Mary Barber, Edwin Beasant and Nancy Kerr were to be found squeezing and scraping.

I was fairly busy with UK festivals in 2007, playing at Holmfirth, Four Fools, Priddy, Cleckheaton, Furness, Sidmouth, Whitby and Sheffield. This year I'll either in the USA or on holiday from mid-July until the end of August so won't be as busy on these shores, but you might catch me at Chippenham, Cleethorpes (where I'll be joining Gordon Tyrrall for a performance of his John Clare settings, amongst other things) and Bromyard. Watch the tour dates for more as they get added.

Those of you who have ever visited Sidmouth can't have failed to have been impressed by the floral sea creatures lurking in the Blackmore Gardens, and so taken was I with the anatomical accuracy and startled expressions of these herbaceous denizens of the deep, that I persuaded one of them to share a photo-opportunity. At the time I'd just emerged from the Bedford Hotel's concertina concert, having shared the stage with Tim Laycock, Sandra Kerr, Jody Kruskal and other notable squeezers, hence the rather unnecessary prop.

September saw a slightly surreal gig in Amsterdam, where Jeff Davis and I had been booked at a maritime festival that was cancelled at the last minute. With Jeff having already booked his flight, the organizers decided to honour our engagement despite the absence of audience or venue, so we ended up playing to bemused tourists and period-costume staff members on board the tall ship 'Amsterdam', moored in the harbour. Oddly enough, we had a really good time, and took a few moments out to pose with the crew on what is a really impressive modern reconstruction of a famous vessel. [insert photo Amsterdam here]

In November I was booked to teach once again at 'Melodeons At Witney' and was pleased to see the name of Geert Oude Weernink amongst my fellow tutors. Geert is an old friend from Gronigen who booked me several times at the legendary 'Music Without Frontiers' workshops in the Fresian island of Schiermonnikoog, and is an excellent box player himself, with tastes ranging from Ireland to the Balkans. He also plays my Tapestry / Mill Race set of waltzes, which gave me the excuse to write a harmony part and perform them onstage with him. On the teaching side, having foolishly offered to give a class on Tex-Mex accordion (a style I've listened to a lot more than I've played it), was viewing the prospect with a little trepidation, especially since twenty had signed up for it. Fortunately all twenty were so able and eager to learn that it went really well, although unfortunately I don't have a photographic or musical record of my Tex-Mex students, accompanied by a Latin percussion section consisting of fellow tutors Saul Rose, Simon Care, Issy Emeney and, performing a cumbia at the Sunday workshop showcase event. I do have a photo, though, of the Friday night pub session. Now, I've always thought that the best pub sessions are those with a good variety of instruments, with not too many of any one type. Oh well….

My US tour in the summer is built around bookings at two of the major summer schools over there. Pinewoods Camp Folk Music Week is one I tutored at in 2001, and had a particularly fine time. Jeff Davis will be there this time, and we're running a joint course on singing style, which I'm looking forward to a lot The place was founded in 1919 and has been run for many years by the Country Dance and Song Society (an organization with close links to our own EFDSS) - so you get the unexpected experience of finding log cabins in the middle of a wood in Southern Massachusetts carrying names related in various ways to the activities of Cecil Sharp, like 'Kitty Alone' or 'Grenoside'. You can get some idea of the woodland setting from this photo. [insert photo Pinewoods here] A week or so later I'll be headed for Elkins, West Virginia, which is a bit out of the way geographically, but is the home of Augusta Heritage Center, a really vibrant folklife campus that I've dreamed about working at for some time now. And also on staff will be my old friend Judy Cook, which will be fun.

As I write, my new CD devoted to the wonders of the Child Ballad collection is almost finished - look out for updates and sound samples here, when it's all done. A full track listing will follow in due course, but by way of a mouth-watering taster I can reveal that I've done a major restoration job on the seldom-sung and never-before-recorded Child #62, Sir Aldingar (featuring amputations, leprosy, prophetic dreams and a miniature hero - pretty much standard fare for F. J. Child), put together my own versions of more familiar ballads like The Banks Of Green Willow, Lord Randal and Golden Vanity, reworked radically the old Seven Drunken Nights chestnut, included a couple of Appalachian-style arrangements, and revisited my back catalogue in Demon Lover and False Foudrage. Nancy Kerr, Gordon Tyrrall, and Bonz from the sadly defunct Rocky Mountain Ploughboys are also on board. You should be able to order it from this site by the springtime.

The Guardian - which as a fully paid-up folkie leftie is of course my daily read of choice - runs a daily editorial piece entitled 'In Praise Of…' which highlights some character, artifact or aspect of life worthy of admiration. In that spirit, I'd like to nominate Ted Poole, who - although no longer the organizer of Swindon Folksingers' Club - is still a regular there, still singing well, and watching the club prosper under different management, along the lines he established during many years presiding over it. My gig there last October was one of the most enjoyable of the whole year (after repeated moves the club has found a venue where it seems very comfortable), and so I took the opportunity to have my photo taken with Ted, the only pity being that Ivy wasn't at the club that night and so couldn't be included as well.

Lastly, you should know that I have a new e-mail address, at which I'd welcome your comments and suggestions. In case you missed it on the Home page, I've finally got round to setting up a Myspace account which you can view here , to access several songs and photos that you won't find on this site. And don't forget the new Youtube clips either!

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